#110: Writing During Times of Life Upheaval

Dear Story Nurse,

For the past year or so, I’ve been making an effort to develop some good writing habits, progress has been mixed (this is just for framing). But I am now rapidly coming towards the very end stages of my Ph.D. I don’t really want any additional sources of stress right now, and I don’t want to just stop writing for months if I can help it, so I declared writing habit amnesty for myself and gave myself permission to write whatever I want, and take breaks when I need to.

I know this was the right choice for the circumstance, I can pick up my more serious writing goals later, and yet I still feel guilty when I don’t write for a few days or I sit down to write and don’t Focus on my Serious Projects. And that’s after I bludgeon the brainweasels that consider a Thesis a 24/7 project.

Any tips for silencing the jerk-brain?

—Aspiring Slacker (she/her)

Dear Aspiring Slacker,

If you’re feeling guilty and anxious when you don’t write, do write but don’t work on serious projects, or do work on serious projects but not on your thesis, it sounds to me like the anxiety is not about writing but is about you generally being anxious right now. This is totally normal and understandable for someone at this stage of a PhD, as I understand it, so please start by forgiving yourself for being stressed out by a very, very stressful situation.

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GYWO: Staying Strong While Writing Long

GYWO is Get Your Words Out, a wonderful writing accountability community. I joined this year and I’m really enjoying it. I wrote this post for the GYWO community, and the moderators have kindly allowed me to mirror it on Story Hospital. My last GYWO post was on why every writer needs a style guide.

The suggested topic for this post was “Plotting Out and Writing Long Things Without Losing Interest” but I want to write more broadly about staying interested in long works, because sometimes plotting them out is antithetical to keeping the momentum going.

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#109: How to Write Smooth, Satisfying Transitions

Dear Story Nurse,

How do I write transitions? I prefer airy prose and I’m often told my work is floaty. I worry that my transitions change the tone of my work or are jarring, so I was wondering if you had any tips for me.

Thank you, Story Nurse!

—L (she/they)

Dear L,

This is such an enticing question. Without seeing samples of your work, my guess is that your issue with transitions—from scene to scene, or from space to space within a scene—is that they can be grounding, reminding readers that they’re reading or anchoring a work to a particular physical space. But grounding isn’t contradictory to floaty, airy work; it’s necessary, and satisfying.

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