#118: NaNoWriMo and Writing like a Machine

Dear Story Nurse,

I am writing for the November NaNoWriNo, and I’ve done 35,000 words. The goal is 50,000. I am on Part 3 of 4, and getting closer to the climax. The latter half of Part 3, which I am trying to work on now, is supposed to be the build-up for the climax, while also being a flashback of sorts to events that happened earlier in the story. I have been working on this book since Nov. 2, with no breaks. I am ‘running out of steam’ as they say, and the 5,000 for the latter half of Part 3 just isn’t coming to me. I know what happens, but I just can’t seem to write it. Today is sort of a break day, but I want to get some pages done if I can. Any suggestions?

—Tifa Lockheart (they/them)

Dear Tifa Lockheart,

I apologize for taking an entire year to answer this letter! Somehow it slipped past me last November. I’m certain you found your own solution, but I’m responding now in case it helps other readers.

Many people think that NaNoWriMo requires writing every day, but it doesn’t. The only goal is 50k. How you get there is up to you. (And whether you choose your own goal is also up to you, but I have a separate post about that.) If writing every single day doesn’t work for you, don’t do it! Give yourself a break.

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#117: Story Beginning Choice Paralysis

Dear Story Nurse,

The first draft of my fantasy novel came out as a messy tangle of scenes. I’m now trying to turn it into something more coherent as I edit, but I’m struggling to pick out which of about three options should be the opening section. Sometimes I think one looks good, sometimes another.

Option 1 is chronologically first, set about three years before the main events, and sets up/reveals a lot of the emotional landscape behind the rest. It’s close to my heart, but other than the emotion shifts, doesn’t have a lot happening.

Option 2 is where the first draft started, an apparently small event with a lot of undercurrents swirling around underneath. It’s the event where the main character’s life is first pulled askew from what she wants it to be, if not quite upside down.

Option 3 is a busy action scene with the main character and her entire village turning out to cope with an immediate disaster. It’s also her first encounter with one of the antagonists.

I’ve had both positive and negative feedback on all of them, which makes it harder to decide. It feels like I need to decide before I go further, because which one I choose is going to have serious implications on how I unknot my tangle of a first draft.

How do I make this sort of decision when all the options seem equally good at different times and I keep second guessing whether I’ve picked right?

—Split Decision (they/them)

Dear Split Decision,

The three options you’ve come up with fall neatly into three very common categories of story opener: prologue, protagonist introduction, and in medias res. All of them can be perfectly fine ways to start a fantasy novel (though these days there isn’t a lot of love for prologues). In order to choose one, you need to understand the narrative purpose of each. You also need to know what kind of book you’re writing. You suggest that choosing an opener will shape your revisions, but I suggest that you need to pick a direction for your revisions and then go with the opener that suits the book you decide to write.

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