Dear Story Nurse,
I’m not the kind of writer who can start editing a draft as soon as I’m done with it. By the time I stumble over the finish line of a novel-length project, I need some time to emotionally detach from the story before I can think about how I want to change it.
This would be fine, except… by the time I feel ready to edit a story, I’m usually no longer interested in it, or I’ve come up with so many new ideas about how to change it that rewriting from page 1 feels easier than editing. Over the years, I’ve amassed a huge number of trunk novels I just don’t feel passionate about cleaning up.
I’ve just finished a new novella, and I really don’t want to hide it away in the dusty depths of my Google Drive. I know it needs changes before I can show it to beta readers, but I’m having a hard time making those changes fresh off writing THE END. How can I strike a balance between letting it marinate and shoving it out the door before it’s ready? What’s the line between a necessary break from a project and unhelpful procrastination on editing?
Thanks for all your great advice,
Trunk Novelist (she/her)
Dear Trunk Novelist,
Thanks for giving me the perfect companion question to the one I answered in #119: Separation Before Revision, Part One. In that post I talked about why that emotional separation from your draft is needed. You’ve got that part down pat. But the reunion can be just as challenging, and requires its own set of tools.
Dear Story Nurse,
I have finished the first draft of my novel (coming of age, romance). It took a year, but I thoroughly enjoyed the whole experience. The characters became so real that I started to ‘see’ them in the street, and looked forward to getting back to spend time with them every day.
I understand that this draft is just a beginning, and I also understand that I need to leave it alone for a while before starting to revise, revise, revise.
But I am missing my characters, and I am sad that their story is complete, as in I know what happens, even though the novel is far from finished.
So my question is what to I do now? Start another novel (or at least start collecting ideas)? Get revising so that I can get back to my characters? Something else? How long should I leave my draft before getting back to it?
In the early stages of writing the novel, I took time out to write short stories, collect ideas, do writing exercises, but in the last six months, it’s been all consuming and I just don’t know what to do!
Congratulations on finishing your novel! It sounds like you really fell in love with it, which is a wonderful experience.
That depth of emotional connection is exactly why writers are often advised to take time away from their drafts before revising them. A little distance makes it much, much easier to assess a book’s strengths and weaknesses—and that’s what you must do, as dispassionately and thoroughly as possible, when you revise a book. Without a degree of separation between book and self, revision is far more difficult, and may be impossible.
Dear Story Nurse,
I am writing for the November NaNoWriNo, and I’ve done 35,000 words. The goal is 50,000. I am on Part 3 of 4, and getting closer to the climax. The latter half of Part 3, which I am trying to work on now, is supposed to be the build-up for the climax, while also being a flashback of sorts to events that happened earlier in the story. I have been working on this book since Nov. 2, with no breaks. I am ‘running out of steam’ as they say, and the 5,000 for the latter half of Part 3 just isn’t coming to me. I know what happens, but I just can’t seem to write it. Today is sort of a break day, but I want to get some pages done if I can. Any suggestions?
—Tifa Lockheart (they/them)
Dear Tifa Lockheart,
I apologize for taking an entire year to answer this letter! Somehow it slipped past me last November. I’m certain you found your own solution, but I’m responding now in case it helps other readers.
Many people think that NaNoWriMo requires writing every day, but it doesn’t. The only goal is 50k. How you get there is up to you. (And whether you choose your own goal is also up to you, but I have a separate post about that.) If writing every single day doesn’t work for you, don’t do it! Give yourself a break.
Dear Story Nurse,
The first draft of my fantasy novel came out as a messy tangle of scenes. I’m now trying to turn it into something more coherent as I edit, but I’m struggling to pick out which of about three options should be the opening section. Sometimes I think one looks good, sometimes another.
Option 1 is chronologically first, set about three years before the main events, and sets up/reveals a lot of the emotional landscape behind the rest. It’s close to my heart, but other than the emotion shifts, doesn’t have a lot happening.
Option 2 is where the first draft started, an apparently small event with a lot of undercurrents swirling around underneath. It’s the event where the main character’s life is first pulled askew from what she wants it to be, if not quite upside down.
Option 3 is a busy action scene with the main character and her entire village turning out to cope with an immediate disaster. It’s also her first encounter with one of the antagonists.
I’ve had both positive and negative feedback on all of them, which makes it harder to decide. It feels like I need to decide before I go further, because which one I choose is going to have serious implications on how I unknot my tangle of a first draft.
How do I make this sort of decision when all the options seem equally good at different times and I keep second guessing whether I’ve picked right?
—Split Decision (they/them)
Dear Split Decision,
The three options you’ve come up with fall neatly into three very common categories of story opener: prologue, protagonist introduction, and in medias res. All of them can be perfectly fine ways to start a fantasy novel (though these days there isn’t a lot of love for prologues). In order to choose one, you need to understand the narrative purpose of each. You also need to know what kind of book you’re writing. You suggest that choosing an opener will shape your revisions, but I suggest that you need to pick a direction for your revisions and then go with the opener that suits the book you decide to write.