Patron drive week continues!

Dear friends,

For just this week, I’m unlocking one of my $4 patron craft posts for EVERYONE to see. The post is full of advice on describing settings for writers who do better with dialogue. Check it out!

Become a patron at $4+ and you’ll get a post like that every month! $4 really isn’t much for a monthly writing craft class, and one of my patrons called it “the best $4 I’ve ever spent.” So tell your friends what an awesome bargain Story Hospital patronage is, and consider pledging at $4 or changing your pledge level for a month or two to try it out. You can always dial back when you need to.

I know writers aren’t generally rich and I appreciate every single one of my $1 pledges. Thanks so much for being a patron, at any level!

Keep spreading the word, and thanks to everyone who’s already done so—I got three new patrons yesterday and the total now stands at 72 patrons and $185. The goal remains 90 patrons and/or $240. Let’s keep going!

http://patreon.com/storyhospital

Cheers,

Story Nurse

It’s October patron drive time!

Dear friends,

As I did last year, I’m running a Patreon patron drive through the end of October. Right now I have 69 patrons bestowing $181/month on me (THANK YOU all SO MUCH). If we can get that to 90 patrons OR $240/month by November 1, I’ll do another series of NaNoWriMo posts, and my patrons will get to suggest the topics!

You can help by telling your friends how much you love Story Hospital, and what you get out of being a patron. Maybe link them to a post or two that helped you, or that you think would help them. Here are some popular ones:

NaNoWriMo: Accommodating Your Disability (and Other Limitations)

#34: What It Means to Be Blocked

#15: How to Create Original Work

And remind your friends that just $1 or $2 a month gets them great patron perks! Just sign up here:

https://patreon.com/storyhospital

Thank you from the bottom of my heart for all your support. I’ll be making more posts later in the week with more info on the patron drive and what you can do to help.

Cheers,

Story Nurse

#65: How (and Whether) to Write a Sequel

This question came from the priority request queue for my Patreon patrons. Thanks for your support, letter writer!

Dear Story Nurse,

How do you write a sequel? Should I even write a sequel?

I’ve got an essentially-complete YA secondary-world fantasy and a couple months ago I got smacked in the head with the realization that it could easily be book 1 in a trilogy. I’ve got the broad plot strokes and themes of book 2 (and a few in book 3, for that matter), but every time I sit down to start the outline for book 2, I… end up working on something else.

Part of it is that if book 1 is sitting on my hard drive doing nothing, what’s the point of writing a book 2 that will do the same thing? (I’m working on book 1 not just sitting on my hard drive doing nothing, but that’s not necessarily relevant here.) And if book 1 ends up not doing anything, it’s a waste of time to write book 2, right?

The second one is that I have never written a sequel before. I googled “how to write a sequel,” because that’s what the internet is for, but the advice was manifold and contradictory. I did pick up the idea that sometimes you can jump straight into the plot at the beginning because you have all of book 1 as backstory now. But how closely is it expect that book 2 matches book 1 in pacing, tone, themes? Is it strange to jump from sort of a standard fairy-tale-based pseudo-medieval sword-and-sorcery story to something that more closely resembles a portal fantasy? Is it okay if I dump my entire cast of characters from book 1 down to 2 familiar names?

Am I thinking too hard here?

Anyway, any advice you have would be welcome.

Thank you,

Stephanie (she/her)

Dear Stephanie,

The answer to “am I thinking too hard” is almost always “yes.” Also, no writing is a waste of time if it’s writing you want to be doing. It’s fine to just go ahead and write for yourself and see what happens, without stressing about marketing (which is really what these questions are about). It’s also fine to listen to whatever part of you is nudging you away from that possible book two and move on to something else. But if you’d like more detailed advice on sequels, read on.

Continue reading

#64: Kicking the Procrastination Habit

Hi Story Nurse,

I’m having trouble buckling down and writing. It seems like this happens in a few, related ways:

1) When I come home from work, I’m exhausted and can’t muster the energy to write. On the weekends, I have a million things to do and don’t manage to devote time to writing.

2) I’m waiting for the “perfect time” to write—when the sun’s up, and my brain is clear, and I’m not in too much pain/too exhausted.

3) When I do have time and energy to write, I frequently don’t prioritize writing, even though I know I enjoy it and it makes me feel productive and happy.

This is all complicated by the fact that I don’t often have time and energy at the same time, due to the fact that I work full-time and am chronically ill. I struggle with figuring out what the “right” balance (or at least, a good balance) of self-indulgent/happy-making things (writing, video games, reading fic) and Responsible Adult things (financial stuff, laundry, etc).

Do you have suggestions of how to get yourself to write besides just sit in the effing chair, block social media, and stare at your word doc until writing happens? Do you have any thoughts on how to get yourself to not feel guilty when you don’t write, but also to not feel guilty when you do prioritize writing (guilty that you’re not doing “actually important” i.e. Adulting things)?

For context, I write fanfiction, almost entirely for exchanges (my inability to write without a deadline/fic exchange is a separate, possibly related issue). The longest fic I’ve ever written was almost 5k, but most have been in the ~2k range.

I generally find dialogue, character relationships, and emulating the source material to be the easiest part of writing; I struggle with coming up with plots/keeping tension (and your posts have been very helpful with that!). I’m getting better at describing things other than body language (scenery, smells, etc). Also for context, I’m Autistic and queer.

Thank you for all your enormously helpful advice!!

—mlraven (she/her)

Dear mlraven,

Thanks for writing in with a challenge that a lot of writers face. Procrastination is endemic among writers, and it’s hard to know how much of waiting for inspiration or the right circumstances is legitimate and how much is just finding another excuse to not be doing what you feel you ought to be doing.

Continue reading

#63: Confronting the Costs of Writing

Dear Story Nurse,

I’ve been publishing short fiction for several years, and a few months back, I signed a contract for a long piece. Which is really exciting: I love what I’m working on, the work setup, and my editors.

The problem is that I made the mistake of working on my creative project during my dayjob’s work hours, due to various factors including depression, anxiety, my not thinking through the consequences, and general workplace toxicity. After a very stressful month of investigation and deliberation about this, I’ve been fired.

I accept that I made a big mistake and have taken responsibility, but am feeling raw and anxious about the future, and want to try to make the best of things. I also want to throw myself into completing my project to the best of my abilities, but the stressful events around the whole situation have thrown up a lot of complicated feelings (I am seeing a therapist I trust). How can I put aside my feelings of shame and anger about the lost job and regain my creative enthusiasm?

—Newly Full Time Writer (she/her)

Dear Newly Full Time Writer,

Many sympathies on losing your job. It sounds like this has been a very challenging time for you. I’m glad you have a therapist and I hope Team You includes many other excellent people.

Those of us who don’t choose to write fiction full-time, and even some who do, often have to confront the undeniable fact that writing takes time away from other things that we, or other people, think we should be doing. Many of us write when we should be working or studying, and our work and grades suffer for it. (You are not the first person to get fired in this way or for this reason, I guarantee you.) We eat takeout or microwaved junk food because we write when we should be shopping and cooking. We go bleary-eyed through the day because we stay up late or get up early and write when we should be sleeping. We complain of loneliness and then we write instead of going out with friends, or going on dates, or spending time with our families.

Continue reading

#62: How to Organize Research Material

Dear Story Nurse,

I have many writing problems, but I have finally have isolated one that may respond to advice!

Here is the question: how do you organize a large body of research for a novel?

The book project I’m concerned with is set in a different country from my own, during a couple of years of significant historical events. I have about 45,000 words of a rough draft, though mostly I plan to completely rewrite it.

I have an idea of the basic point-in-time facts I need to acquire—”who did what when” stuff—and the beginnings of what I want to know about the setting—what a cheap flat in [blah decade] in [blah city] smelled like and what sort of kitchen appliances people had in that neighborhood (though I have issues with something like ADHD so it’s very hard for me to organize even that).

But a big part of the story is more psychological and emotional, and trying to figure out how personal and national history shapes a person, and what things come to the surface when you put people under pressure at a moment that is clearly historic: and this is proving very hard to research indeed. I’ve purchased twelve books of history about this country covering periods and topics I thought could be relevant to how a modern person might view themselves (I realize this was a bad idea, please don’t yell at me). I’ve read a couple of these, but I’m struggling to process them into what’s relevant and what’s not.

To be clear, it’s not that I think that there is exactly such a thing as “national character”—but I do think that the stories that we are told about our histories, our countries, our cities, our families, and ourselves over and over and over again do matter to how we think about life and how we see ourselves and others. So I’m looking for facts about what happened and where, but I’m also looking for historical events that have national and personal emotional resonance.

How do you suggest organizing all these layers of research for my story—the purely factual, the experiential, and the spiritual/emotional stuff?

Best regards,

Disorganized Potato (they/them)

Dear Disorganized Potato,

This is a wonderful question. Fortunately you have a lot of flexibility, because any organizational system you come up with will be solely for your use, so you can fine-tune it to suit your needs. And turning those nebulous concepts into organizable chunks of data isn’t as hard as you might think.

Continue reading

An Update on #47

Some of you may recall letter #47, in which an aromantic writer received an unpleasant critique of an aromantic character and felt stymied and blocked by it. She was unable to work further on the story, and worried that she would have trouble selling it. She just wrote to me with a brief update:

I thought perhaps you would like to know, that the story I wrote in about has been accepted for publication.

Thank you.

LW, I’m so thrilled for you that you were able to set that unkind critique aside, revise and submit your story, and find a good home for it. Thank you for letting me know!

Past letter writers, I’m always glad to hear updates from you—how are you doing?

Delightedly,

Story Nurse

#61: Encouraging Beta Reader Follow-Through

Dear Story Nurse,

I just finished a first draft of a novel. I’m fairly happy with the broad strokes of the story and the characters, but I’m at a point now where I really need outside input. I’ve done what I can on my own in terms of editing and refining and letting the thing rest and picking it up again. I need a fresh set of eyes. I’ve been at this point for over a year now.

I’ve contacted just about everyone I know whose opinion I value and asked them to beta-read for me. All of them enthusiastically agreed, then disappeared off the face of the earth. It’s gotten to a point now where I joke that if you want someone out of your life, just ask them to read your damn novel.

I understand that beta-reading is a huge commitment. I always, always mention that if someone changes their mind for any reason, that’s absolutely fine. Just tell me you’re out, no nagging or interrogations from my end, just a no is fine. I’m very happy to repay them any way they see fit if they need help themselves. But not a single person has gotten back to me.

So friends and family are apparently out. I’ve tried online workshops, but while a chapter critique can be very useful, what I really need is for someone to read the entire thing. Again I fall into this cycle of people committing and flaking without explanation. I’ve done a few manuscript swaps, which were very disappointing. Maybe it was bad luck, but I only seemed to get people who clearly weren’t interested in providing thoughtful critique and just wanted their own manuscript read. I must have written hundreds of pages of critique for other people and gotten almost nothing back. I’ll go back to these swaps if necessary, but I’m pretty burnt out on them at this point.

I honestly did some soul-searching to see if the problem was me, and I don’t think it is? I don’t nag people after I’ve sent them the manuscript. I’ll ask once or twice over the course of a month or three, but I’m very careful not to pressure anyone. I try not to come across as desperate, but I am, so maybe it shows? I know the manuscript is rough, but it’s not so shitty or offensive that it should prevent people from reading it through. Dunno. Can’t tell.

Apart from the fact that it breaks my goddamn heart to have people I care about (including my own damn husband) consistently flake on something they know is pretty damn important to me, I can’t for the life of me get this manuscript read by anyone. I am saving up my pennies for a professional developmental edit, but that’s not going to happen anytime soon. I know a professional editor is very important and I need one, but we’re at a stage now where we can barely afford food, so.

Is this the normal process? Am I going about this the wrong way? And since this is so emotionally draining to do all this while also on the rejection treadmill for a bunch of short stories, should I just give up for a while and pick this up later?

—C.S.H. (they/them)

Dear C.S.H.,

That sounds really dispiriting and difficult. I’m so sorry you’ve been having a rough time getting someone to make and keep a commitment or explain to you why they can’t.

Asking beta readers to start reading, finish reading, and talk to you about what they read doesn’t seem like a lot, but it can feel pretty daunting from the other side. In my experience, there are three main reasons beta readers flake on giving crits:

  1. They didn’t finish or like the book and feel bad saying so.
  2. They don’t know how to write a crit or give useful feedback and are embarrassed to admit it.
  3. Other things take priority over unpaid commitments.

Here are some ways to prevent these problems. Continue reading

#60: Starting Small

Dear Story Nurse,

I took a really long break from writing partially due to mental illness and chronic fatigue and partially because I was looking at it as something I *had* to do, and I’d forgotten why I actually love writing. So I’m trying to figure that out, and I’m only really writing fanfic right now because it’s easier for me, but I seem to have run into the same problem I run into with my original fiction.

I really want to write longer works, but as soon as I decide that’s something I want to do, I basically lose all interest on whatever I’ve been working on. I pretty much never finish anything that I want to be longer than 5,000 words. Occasionally, I’ll accidentally make something a little longer, but I get kind of antsy about that too, even things I’m initially really excited about writing. I’m not sure how to fix this.

—Briar (they/them)

Dear Briar,

I’m sorry you’re having a hard time coming back to writing after so long away. That’s something a lot of people struggle with (see my posts on returning to writing after a long hiatus and when creation feels like a chore), especially if you took the break on purpose and for good reasons. Having filed not-writing under mental health self-care for so long, it can be challenging to now believe that writing will be not only safe but actively beneficial.

Continue reading