Dear Story Nurse,
I’m about to start writing the next volume of a fantasy series and find myself-second-guessing my choice of 1st person protagonist. In the usual way of fantasy novels, all of my previous protagonists (multiple per book) have been exceptional in some way: magical talents, physical skills, social status, etc. Because I want to write a wide diversity of characters, for this one I deliberately designed a character who is not “special”. A young working-class woman with no magical talents, no money, limited economic expectations, and only tentative aspirations with regard to the skill she has her sights on (dressmaking). But she gets drawn into adventures because of the friends she makes and because she chooses to support the skills and aspirations of those friends with her own more everyday abilities. (The book is planned to be YA.)
That circle of friends is itself fairly diverse, including people with physical disability, marginalized ethnic and religious background, trans identity, as well as some with more privileged backgrounds. But now I’m second-guessing the reasons I chose a “default settings” protagonist. (She’s lesbian, but in my series that pretty much counts as a default character setting, though it does make her life more precarious.)
I keep thinking of stories I’ve read or viewed where my reaction was, “Why wasn’t this the black girl’s story—she’s the more interesting character? Why doesn’t the disabled character get to be the hero?” And yet, as the story is designed, all those other characters intersect the story and are brought together through her. Her story arc is to learn how to value her friendships for what they are, and not in how they relate to her, and to choose to support those friends in their triumphs specifically because they have talents she lacks, rather than choosing the path of self-benefit. (I know this is sort of vague without giving the whole plot.)
Am I overthinking this? Can an everywoman of a poor non-magical queer white laundry maid be a worthy protagonist?
You’ve actually got two questions here, cleverly disguised as one. The first is whether an ordinary person—in the sense of non-extraordinary, someone lacking in special powers or status—can be a successful protagonist. The second is whether a “default settings” person, someone who is not significantly marginalized in their setting, can be a successful protagonist. The answer to both questions is yes. You just have to pick the right kind of story for her, and understand who you’re telling that story for. Continue reading
Dear Story Nurse,
I am in the midst of a year in which mostly-familial requirements on my time make it something like impossible for me to make my slow-but-steady former progress on my novel, for now. (I had chugged along to slightly over the halfway point.)
At least, I think so. The requirements on my time, energies, and attention are genuine, and the nature of the attention required results in my being bored, which for me doesn’t mix well with writing. But am I being avoidant, or is it really all The Year of Hockey and Real Estate?
—I serve the ice (they/them)
Today is the fifth Tuesday of the month, which means that my answer to this heartfelt letter is available exclusively to my Patreon patrons. If you’d like to see today’s post—and future fifth Tuesday posts—become a Story Hospital Patreon patron at any level, even just $1/month. If that’s not an option for you, enjoy reading through the archives and salivating with anticipation for next Tuesday’s column. I’ll be back before you know it.
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I am committed to giving advice to any writer, anywhere, but today’s post is specifically for those of us in the U.S. and elsewhere who are deeply distressed by the thought of President Trump and deeply anxious about what comes next for the U.S. and the world. It’s a modified version of my post-election piece on goals and deadlines in a time of strong emotions. This one is more general, without the NaNo-specific content, and I hope it will be a post that you can come back to again and again.
As we face difficult times as creators of art, we will face a lot of pressure from different sides, and from within ourselves. We will be pressured to make art. We will be pressured to stop making art. We will be pressured to make different art, to be more radical or more moderate, to be commercial or to never sell out, to reach different audiences who are all in need of artistic sustenance. We will be pressured to depict the past, the present, and many possible futures.
Sometimes circumstances like these make it very easy to make art. Other times they make it very hard.
Dear Story Nurse,
In post #2, “Facing the Challenge You Set for Yourself”, you said:
“I’m working on two novels at once right now; one involves putting characters I’m very invested in through some difficult experiences with strong echoes in my own life, and the other is much more of a technical exercise.”
I’d like to know more about the latter one. What is it like? How is it a technical exercise? I would be interested in trying this approach myself, so any details would be much appreciated. Thank you very much!
Thanks for asking about this; working on a practice project alongside a passion project is something I’ve alluded to in a few posts, and I’m glad to have the opportunity to go into more detail.
It’s hard to write this post in a time of such strong feelings. Whatever your reaction to the results of the U.S. presidential election, the intense emotional atmosphere of the moment makes it difficult to face the blank page. Our thoughts are whirling, our hearts are pounding, and our bodies are feeling the effects of two tense days with insufficient food or rest (and, for some folks, a little too much alcohol).
And yet, I have my commitment to write posts for all of you, and you have your commitment to make your writing goals and meet your writing deadlines, whatever those may be.