Dear Story Nurse,
My problem in a nutshell: I don’t know what kind of climax my story needs!
Details: I’m working on a fantasy novel, mostly secondary world with a little magic thrown in. It’s between 80k and 90k long. This is the first novel I’ve really plotted out seriously, and I can tell that it helped a lot in keeping track of the threads and in keeping the story moving when my tendency is to stop and gaze for way too long at the scenery.
A little bit about the story: There are four (thinking of cutting it down to three) POV characters whose plots intersect and come together toward the end of the story. There’s one character in particular who is sort of central to everything, and everybody else’s arc in the story is directly or indirectly pulled by her—some to help her and others to potentially harm her. Of all the characters, she probably has the most growth as a character.
So here’s a longer version of the nutshell:
I’ve reached the point just before the climax, which has all of the POV characters converging together, along with a detachment of soldiers who are in league with the antagonists. The characters who are not bad guys don’t have any such armed support on their side, although one of the POV characters has some experience in a fight.
I even have an ending in mind, which is mostly a happy one: the antagonists are defeated or at least prevented from maximum antagonizing. I just can’t figure out how the characters get from the climax set-up to the denouement! For some reason, the only options that come to mind are (1) a battle—which is not really in keeping with the rest of the novel, which is mostly women of various ages moving through the setting, doing what they do—or (2) an involved conversation, which seems a bit underwhelming.
One thing I’ve thought about is that, throughout the story, the central-most MC has been yanked this way and that by good guys and bad alike. I feel like the climax is her opportunity to assert herself somehow. All the other MCs have had to make choices throughout the story, but she’s been pretty passive.
So if you have any thoughts as to how I can think through this, what some options outside battle/conversation are, and what you’d want to see in this kind of scene, they would be most appreciated!
Thanks for writing in with such a classic concern! A lot of authors face similar problems. You are definitely not alone. And I’ve got a few different sets of suggestions for you to try on for size. Continue reading