Dear Story Nurse,
I’m about to start writing the next volume of a fantasy series and find myself-second-guessing my choice of 1st person protagonist. In the usual way of fantasy novels, all of my previous protagonists (multiple per book) have been exceptional in some way: magical talents, physical skills, social status, etc. Because I want to write a wide diversity of characters, for this one I deliberately designed a character who is not “special”. A young working-class woman with no magical talents, no money, limited economic expectations, and only tentative aspirations with regard to the skill she has her sights on (dressmaking). But she gets drawn into adventures because of the friends she makes and because she chooses to support the skills and aspirations of those friends with her own more everyday abilities. (The book is planned to be YA.)
That circle of friends is itself fairly diverse, including people with physical disability, marginalized ethnic and religious background, trans identity, as well as some with more privileged backgrounds. But now I’m second-guessing the reasons I chose a “default settings” protagonist. (She’s lesbian, but in my series that pretty much counts as a default character setting, though it does make her life more precarious.)
I keep thinking of stories I’ve read or viewed where my reaction was, “Why wasn’t this the black girl’s story—she’s the more interesting character? Why doesn’t the disabled character get to be the hero?” And yet, as the story is designed, all those other characters intersect the story and are brought together through her. Her story arc is to learn how to value her friendships for what they are, and not in how they relate to her, and to choose to support those friends in their triumphs specifically because they have talents she lacks, rather than choosing the path of self-benefit. (I know this is sort of vague without giving the whole plot.)
Am I overthinking this? Can an everywoman of a poor non-magical queer white laundry maid be a worthy protagonist?
You’ve actually got two questions here, cleverly disguised as one. The first is whether an ordinary person—in the sense of non-extraordinary, someone lacking in special powers or status—can be a successful protagonist. The second is whether a “default settings” person, someone who is not significantly marginalized in their setting, can be a successful protagonist. The answer to both questions is yes. You just have to pick the right kind of story for her, and understand who you’re telling that story for. Continue reading