Dear Story Nurse,
Advice I have heard: “Skip writing the boring part.”
Scene I’m trying to write: the boring part, for both characters and author—in which much essential information is conveyed that I’m not sure how to show any other way. (In fact the very boring-ness of the scene to the PoV character is one of those essential points!)
Predictable problem: stalled writing.
Glib solution: skip writing the boring part. Come back and fill it in later, if the important bits really can’t be conveyed any other way.
Next problem: I write linearly. My brain stalls ridiculously if I try to write more than a vague outline of anything that’s further ahead than the next scene the reader ought to encounter… and the next scene the reader ought to encounter is the boring part.
Actual solution: ???
—Bored Butterfly (they/them)
Dear Bored Butterfly,
One-size-fits-all writing advice never really does, and this is a classic example. It’s also an example of how generally good advice can become much less good when squeezed into a tweetable sentence or catchy phrase. Skipping the boring parts doesn’t mean you should leave out the information you intended to convey. It means you should look for ways to convey that information that excite and engage you, because that will excite and engage the reader.