Dear Story Nurse,
I need some help loosening my grip on tight third person point of view. I write mostly fanfic, and tight third works well for shorter works, but I find that it breaks down in longer works. Most of the time, I work around it by occasionally changing POV at scene transitions or chapter breaks.
This leads to confusion for some readers because tight third, at least the way I use it, almost axiomatically creates narrators as unreliable (just in different ways) as first person POV does. First person is culturally coded as unreliable, so readers tend to question what the narrator is omitting or being misleading about. Third person, on the other hand, carries the implication that there isn’t a person withholding information or not understanding what they’re experiencing/observing.
When I write tight third, different POV characters have very different ideas about what the things they see and do mean and make assumptions about what other people think, feel, and intend. Any particular character’s section may contain major conflicts with other characters’ sections.
I like writing this way and enjoy reading things written this way, but the comments I’ve gotten have made me think about the fact that I can write tight third and first but not omniscient third or even a more distant third. I would like to figure out how to approach those.
Learning new writing skills is usually valuable (unless you’re doing it to procrastinate), but I want to caution you against thinking that you have to change the way you write because it doesn’t work for a few readers. If you’re happy writing tight third and you’re reaching at least some readers who seem to really get what you’re doing with it, it may make more sense to work on setting reader expectations around reliability of narrators in that context. For example, you can switch POV more frequently so that the differences between two people’s experiences of a situation show up earlier and establish that this is a thing that can and will happen in your stories, or have side characters argue with your POV characters about how they’re interpreting events, so as to remind readers that the POV character is not infallible. And remember that nothing you write will reach or please every single person who reads it, so you’re best off continuing to write what makes you happy.
But that’s not what you asked! So for general tips on writing looser third-person fiction, read on.